Theatrical Deaths with No Blood

Blood adds horror. That's the single reason to add a blood effect to a death scene. So, the only creative question in whether to consider a blood effect is: does this scene need more horror? In Romeo and Juliet, for example, do we need Mercutio's death to be horrific? I'd say yes. Do we need…

Read More... from Theatrical Deaths with No Blood

Trailer Ricochet: Macbeth

When you think of Shakespeare, you might first conjure up Romeo & Juliet and remember "The Bard" for his poetry. You might have had a bad experience in high school and remember how boring Shakespeare is with so many Histories and discuss why it's important or not to know the King's names in the Wars…

Read More... from Trailer Ricochet: Macbeth

Paul Dennhardt on Stage Combat

In the article linked below, Paul Dennhardt, a theatre professor at the College of Fine Arts of Illinois State University, explains important aspects of stage combat that should be understood by everyone in theatre by now. Sadly, most productions still don’t know where to begin with a sword fight, or what the process involves, but…

Read More... from Paul Dennhardt on Stage Combat

Scenes of Violence

Most actors learn stage combat for a specific role while in rehearsal. My belief that every performer before leaving acting school should have Basic Actor-Combatant certification with Fight Directors Canada does not have widespread support. Therefore, the majority of actors already have a scene to fight to. But actors who are taking the full stage…

Read More... from Scenes of Violence