You might not associate the mouth with fighting, except maybe to “slug them in the kisser”. But there are plenty of actions that a desperate person might do in combat using their oral cavity. Here are a few suggestions for your maw: Spitting is an Option Spitting can be a taunt or a direct insult.…
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Stage combat and Method acting don't mix. What do we mean by "Method acting"? Here's part of what Wikipedia has to say: Strasberg used the term “Method” to describe his philosophy of acting and his techniques of training actors, which built upon some of Stanislavski's early ideas. Strasberg's method is based upon the idea that…
Do you get stage fright? Have you ever delivered a performance, and thought that the audience hates you? Today, I want to remind you that it’s not about you. It's about the performance. The audience isn't judging you. Think about a clown. Laughing at a clown is not insulting to the clown. You’re not laughing…
We'll have more whip cracking workshops in the new year, and your instructor, David McCormick, spends hours every week plaiting new whips out of nylon paracord. Hand-made paracord bullwhips are durable and have a great crack. The core is filled with steel balls (shot) to give the perfect heft and momentum. The outer 12-plait overlay…
Mastering a physical skill is a long process. Although most beginners need to learn the fundamental movements and the terminology to identify them, there is a constant development at all levels of general traits and valuable “soft” skills. Despite the lack of attention given to these virtues, they are universally acknowledged among the best performers.…
Being safety-minded is a valuable trait in stage combat. However, shying away from choreography itself will only cause delays and disruption of the rehearsal process. Choosing to hold back and only perform slowly will certainly be safe and more comfortable for you, but will diminish the show you’re producing. All fight directors want you to…
The body does the same things every day: sleep, eat, walk. The mind does different things every day: remembering, planning, having different conversations, seeing changes in the world. The body therefore benefits from novelty. Try a new skill. Eat something from a different culture. The mind benefits from consistency. Meditation at the same hour every…
We have a talented group of students in our FDC intensive course who performed their fight scenes on Friday as a test of their skills. Each scene is a performance, with dialogue memorized from a published script and full-speed choreography. Like a live professional show, there is no stopping midway and asking to start again.…
There was something missing from my last post Authenticity of Combat on Stage: Pain. It's not the operator ("attacker") who convinces an audience that damage was done. No matter how accurately or fast they cut. No matter how much tension they hold in their muscles or how loud their battle cry. If the victim doesn't play…
Stage combat performers and choreographers should always ask themselves the same question that magicians ask: will the audience believe this illusion? The Effect When teaching a magic trick, the illusionist always performs the trick first, so that the student can appreciate what effect the trick should have on the viewer. When reading magic instructions in…
When you think of Shakespeare, you might first conjure up Romeo & Juliet and remember "The Bard" for his poetry. You might have had a bad experience in high school and remember how boring Shakespeare is with so many Histories and discuss why it's important or not to know the King's names in the Wars…
Repeating yourself can be annoying. To remain calm and focused takes mental toughness, but the repetition itself builds your mental resilience. Do it again with the aim to improve. It's especially tough for actors who also have to pretend to be agitated but have the focus and endurance to repeat an emotional scene again and…
Fight Directors Canada sets the standards for stage combat in this country, just like the Society of American Fight Directors does in the U.S.A. and the British Academy of Dramatic Combat does in the U.K. What are those standards, and what do the levels mean? I hope to answer all your questions on FDC Certification…
Are you left-handed in a world of right-handed sword fighters? Or perhaps like Maisie Williams, who plays Arya Stark on Game of Thrones, you are right-handed but cast to play a left-handed character. Should your stage combat training include ambidexterity? Why Are You Smiling? I just read this interview with Maisie Williams (Arya Stark) about…
This piece could have also been called: "Punching women respectfully; a guide" or, "How to be a douchebag by not hitting girls." I’ll frame this a little first. I am writing this as a man, drawing on two perspectives that are largely and unfairly male-dominated. The first is martial arts. The second is security work.…
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The emotional appreciation of staged fights depends primarily on the perceived balance of power. It doesn’t take much for us as audience members to feel that the scales are tipped heavily in one direction -- one versus many, injured/ill versus healthy, female versus male --– and there is something within us that always wants to…
Read More... from Battle of the Sexes: Staged Violence between Men and Women
Our Action Acting course starts on Monday, 15 June, so you’ve got just over a week a few days left to register. It will run Monday to Friday from 9am to 5pm for two weeks. On the last day, there’s a written test and a performance test. There are three weapon systems and you’ll perform…
Published in 2001, Sword Fighting: A Manual for Actors and Directors is one of the best-selling books on stage combat. With choreographed sequences from several different sword styles, it gives the actor a direct way to jump in to sword fighting. However, it has some critical problems that make it tough to recommend. The pair…
Read More... from Review of Sword Fighting by Ducklin & Waller